Episode 47: Crazy as a Soup Sandwich / Special Service / Father & Son Game

Hello there. I'm Chris Stashu, I'm Mike White, and I'm Father Malone. And this is the last time we're introducing you to our little collaboration here between our three podcasts Dreams for Sale. In the last four years since we started this show, Father Malone now has his own podcast, and Mike and I have two more ladies and gentlemen. You just when you when one door closes, two or three or four more open, as they would say on this final episode of Dreams for Sale, We're gonna be taking a look at the final three episodes of the show, leading off with Crazy as a Soup Sandwich, then Special Service, and then rounding out with what Mike and I call a Saturday Father and Sun Game.

Father Malone and Sun Games. It It's true, not really, No, don't don't. Don't. Don't lump me together with that. No.

As certain as death and taxes, we are told the meek will definitely inherit the earth, perhaps but not always. Consider if you will, mister Archie Lochner, a well known petty crook sidebar six for five or Shylock registered coward, an owner of a yellow streak so vivid it could be slathered on a hot dog. Mister Lochner was written out of the will when the meek were guaranteed their inheritance, and just now he's trying to avoid another kind of payoff, a soulful payoff in that off track betting parlor we call the twilight zone. What were you stuttering on purpose? I I Yeah, that's the only good part of that episode.

Anyway, we'll get to it. Yeah, So let's talk about the first episode, written by Harlan Ellison. Harlan Ellison YO Crazy as a Soup Sandwich so aired April first, nineteen eighty nine. It stars Anthony Francio says Nino Lancaster and Wayne Robinson as Archie Lochner, and it also features WWF Shockmaster with the voice of the Devil or demon. It is the most obnoxious demon voice I have ever heard.

Yeah, and it's it stars a con man who sells his soul to the devil. I guess I thought that there was gonna be like a punchline to this episode at something like this is gonna be a comic book. What you didn't get the punchline that the Boss has already captured demons. Come on, baby, what's including the demon's father. So I never should have put on any faith in you, son.

It's a father and son game already. This is all of Harlan Ellison's worst instincts as a writer. I'm glad to hear you say that, because I fucking hated this. Eup. I thought this was a joke.

I was like, oh, my god father alone, it's it's a Harlan Ellison episode. He's gonna love it, and I can't fucking stand this. Everyone is talking with a cartoon voice the whole time. So yeah, okay, that's the thing overwritten. Okay, So not only it's astoundingly overwritten.

Not only does Harlan overwritey oh boy, but they did that script no favors by dressing every like, oh, it's a gangster thing. Put them in a big floppy Fedora and a fucking pinstripe suit because that's gangsters, right, And and the performances don't help anyone at all. I mean, Tony Francios is great, but I will say that I'm going out wet because Tony Francie also used to date my mom, so Tom Waite's reference anyway, I'm like, right back, got it. I got it. Yeah, I don't need special effects.

Yeah I got real scars, so yes, But no, this was, like I said, this is Harlan Ellison working at his sort of worth, and so I was curious if this episode was written for like the original sort of run, maybe season one or season two, and just got left over and then then they sort of brought it back. But as it turns out, no, Harlan Ellison wrote this specifically for the third season after having quit in season one one, basically revenge. So I found a little quote where he said Struczynski solicited me, solicited me to do a talent play for the syndicated zone being aired for Prefects of what we call stripping. That means another forty episodes are so neat to be filmed to total the one hundred acquired to put it into syndication.

For that series of shows, I wrote a story called Crazy as a Souper Sandwich, which is a terrific little segment they filmed up in Canada. It's a lovely little show. So that was in informative and incorrect. Harlan wrong answer, pal, Yeah, I messaged you this when I was watching it. This felt like again this felt like a Tales from the Crypt episode.

Actually, there have been Tales from the Crypt episodes whose tone is closer to this than this is to Twilight Zone. There have been Tales from the Dark Sides about this. There have been monsters about this, Like everyone has written this story and this is this is you know, talking about the way it's shot and the way it's lit is oh god, the way it's No, it's it's worse. It's worse than that, Like, oh sure, but a third season of that show is what I'm getting at, Like it's it's the unirrid season of Tales from the Dark Side. It's like it's that level of like it like it's the BBC.

Like if they had produced this episode of Twilight Zone, I wouldn't have been surprised. It is so fucking cheap looking. It's all lighting. I mean, that's the whole thing, right, They thought they were like getting away with something with all of the scrims, but no, Well that the monster for the majority of this before he turns into a reject from gargoyles, that that's all just lighting and just yeah, a little three D animation thing with lighting moving across that. Okay, scary.

Was that not just like smoke? Was that? Like I thought that was like like an underwater effect that they didn't just it could be. Yeah, I think it was. I think it was just a digital effect, like because they were that CBS was doing digital like most of the effects in the show is we're done digitally, like because the show was at this point shot on tape, right, I mean it's not film to definitely not film this season is what could we even consider this entertainment?

Like what's what's weird? Is like there's this entire so there's a there's a demon, and the demon wants the guy's soul, but the boss who also has the guy's money, the guy that guy owes that mune owes the gangster money, the demon souls soul, and so the gangster goes, I'm gonna deal with the devil or creature demon and then I'll deal with you cool paint my office with lead paint. Yeah, all right, Harlan Allison, Folks, stop, I just what's funny is we you know, we started this show with shatter Day and we're ending the show with this, Yeah, and it's that's all you just you could watch these two episodes and go I get it almost Harlan has to offer and definitely in the running for one of the worst.

Harlan is very famously like wrote a short story, and a pretty good one actually in a bookstore window in an afternoon. This feels like he wrote and line at a Walmart. It's not. It's not much of anything anything like it. It's a cartoonish, which is not a tone that the Twilight Zone ever goes.

No that, and that's the thing, like, so reading her phrases a question, it doesn't go for that. I've seen enough of the show to know it doesn't go that way. Sci fi has always had a comedy problem. There are very few people sort of skilled enough to do it really well. And but I think every like giant of sci fi has always attempted to do or try their hand at comedy, and Harlan is no exception.

And as I said, like the worst of his short fiction leans in the whimsical slapsticky like aren't I funny? It's like, we don't read you for your comedy ever, ever, so don't do that. But so that's in evidence here, there's no there's no defending this episode for me. You vule Curbs, The Vole Curbs. Oh my god, did you like this one, Mike, I'm so not at all.

Yeah, shame on you, Shame on all of you. Should we should we continue? Yeah? Yeah? So let's as this train just lurches into the station, talk about the talk about the next The penultimate episode of the show, special service introduction to mister John Sellec, a reasonably average man who goes through life with both eyes open and both hands firmly on the wheel.

Mister John Sellec, practical and steady, who is about to be blindsided by the Twilight Zone by Randy Bradshaw, written by the Man J. Michael Strazinsk. Thank god. Yeah, I was worried he wasn't gonna make a fucking appearance. Oh, David Naughton, our favorite Pepper from the classic Doctor Pepper commercial.

He's back. He's playing you guessed it Truman from The Truman Show, right. This is the Truman Show before the Truman Show. I'm not a big fan of the Truman Show. Better than the Truman Show, at least it was shorter.

I disagree. I disagree. I'm not the biggest fan of the Truman Show either, but like it has some ideas and it's trying to say something. I don't know what the fuck this was, like like there's a corporate Okay, look so you just said it, Like, but the setup is the fucking mirror falls off the guy's bathroom wall and discovers this a camera in there, and two seconds later Think from Meatballs shows up doing it with a British accent, shows up to fucking fix this thing and go like and just say it. I'm like, no, man, he didn't see nothing.

You haven't seen nothing at all, Like this wasn't British. You're like that, You're welcome. Oh I almost no, I'm not. Oh boy, this is this is how the corporation deals with like faulty cameras and shit. Like they just walk up and go like that, you've seen nothing.

This was all the dirty. This the only show that they have going. I mean, I want to know more, and like, why are women crazy for this guy? Oh my goodness, they are just they want to rip his clothes off. It seems like a real drip.

Yeah. I could be because he's a werewolf who will no, that would make him sexy and cool. I've seen this guy be sexy and cool. He's not sexy and cool here. I've seen him dance, I've seen all kinds of I've seen him run naked, stealing balloons.

Yes, that is true, and he did that with Elon. Yes, not here, not here. Awkward dancing is what we have here. Yeah, this is yeah, pure freak out mode. What is going on?

Ah emoting with his eyes and eyebrows, like whoa, yeah, it's yeah, Well, like you said, it's the Truman Show before the Truman Show. Great, oh, we're all in a TV show or this guy's in a TV show. Gives a ship, I'm sorry. And then they take him and explain everything to him, right, and then they put him back in his home, and it's like right, I mean I kind of like the idea they were kind of like that you're not anymore. Yeah, like what I like that.

I like the kind of mind fuck sort of quality of it. But like that's not what this episode was about at all, So an unearned payoff anyways, Like you don't need to be smart in an episode the stupid. I mean, if it had been about this guy, like he's convinced that everyone's watching him and he's on a television show and no one believes him, and then the payoff. It's like that but maybe but like it's so random and happenstance, like oh yeah, no, no, no, you're totally like everyone loves you well and the whole world isn't like showing up. I remember, true.

Here's one thing that they did right in Triman show. They have they have like a little montage of people who have tried to break in and let him know that he's on a TV show. Like one woman like pops out of a box like it's you're on TV, like that would be happening, Like there's no non disclosure agreement for the country. Well that's yeah, it's no. It's just he's just taken to an office somewhere.

And I don't get that whole setup of their business model, the whole thing like oh well we've had all this money and blah blah, And I'm like, what why is this Steven Naughton's problem? Yeah, they made it his problem. Yeah, this seems like a that network exactly. He was in Hollywood Shuffle. He was just one of the repertory players in Hollywood Shuffle.

I just remember him playing like a dirty, hairy type of character. I like Hollywood Shuffle a lot. Yeah, I like it a lot more than this episode. Oh yeah, for Hollywood, I thought it's so good. Winky.

I've been trying to get Robert Townsend to talk to me for a long time and just never gets back to me. Yeah, we're even friends on LinkedIn, and you know how friendships are on there. They are solid, rock box solid. You LinkedIn several times. Yeah, can it can happen if you just believe hard enough.

If you ask talk about Media Man, he'll probably talk to him. That's true. That's true. Depends on the project. Yeah, and let's not kid ourselves.

That's the superior project anyway. So everybody loves Media Man. I like it more than this episode as well. I like the concept, but the concept is expounded upon in greater detail and something that you would want to watch over this if you are interested in this idea, there's a better place to watch it that does more with the time that it's given. And it's given three times as much time.

And I'm not really even a fan of that movie, but I would rather watch the movie then watch this episode. You see, baps, it was another Robert Townsend movie. Oh it's really bad. It's really bad. Yeah, you wonder who's who's running the show over there?

Towns and Productions. Makes you wonder, anyway, what else is really bad? Pete wheeds around the Devil's son in law. But that's the highest. That's a good movie.

That's that's actually it's actually a good movie. That's a good I've changed my mind about that again. I've had one of my famous changes of heart. Wow, I'm back to liking that movie. It's true, Father Blowne's heart did grow two sizes that day.

Yeah, so shall we take this one home? Bye? Are you ready? Just alrighty? So here it is, Ladies and Gentlemen, the thirtieth episode of the third season of the show and the final episode of the first revival of the Twilight Zone.

Father and Son Game. Don't be deceived by the youthful appearance of our subject, Darius Stevens. He abused his body seventy nine years now, he's walking on his own bottom, paid for two feet down a path he hoops would lead him into a new life. Father Malone, Father Malone and Sun game. So that would be way more interesting.

Anything would be more interesting. So this episode is directed by Randy Bradshaw written by Jeremy Bertrand Finch and Paul Chitlick, and stars Ed Marinaro and Eugene Robert Glazer as a father and son. One's a robot maybe possibly, who the fuck knows, and anyone's trying to rest control of his business. It's like, you know, Succession, if it was bad and dumb and nothing like this. It's very to me.

It's it's it's free Jack if free Jack was awful, really really bad. Yeah, I guess it's more like that Selfless, the one with Ryan Reynolds. It's more like along the lines of that. Yeah, yeah, right right, this is this is a tremendously poor episode. Yeah, it's poor science.

Like here's I made the joke earlier about the stuttering, and that's the only good part of the episode. It is the only good part of the episode. I think Ed Ed Marinaro Malanaro, like, I thought, I thought he did that really skillful on it. Yeah, like he was breaking down and he was. Yeah, it was very subtle about it.

The first time it happened, I was like, oh, was that a mistake right going on? Yeah? Yeah, yeah, it worked its way up very very well. So kudos ed who. By the way, I could only think of Laverne and Shirley the entirety of this episode, right, I mean, what else do we know him from?

Yeah? Yeah, I think my favorite thing about this episode is that they essentially just gave up on set design. I just threw sheets on top of tables and we're like, this is good enough at this point. We don't give a shit. We'll just set it in a hospital where they have all this stuff already, and then we'll just put like a sheet on top of a desk and it'll look weird if we got to pull it at the quarters.

It's like set design, set design one oh one got twenty dollars going on down to the local things they had to shows and get whatever. They had to spend all the money on those. That's very futuristically and scientific equipment. Where he's now like Max Headrow just a head in the box. Yeah yeah, good call on that one.

And what's weird is like it it's trying to have something to say about, like what does it mean to be human? What is your humanity? Consciousness? Your this is this is all great science fiction. It's like bedrock science fiction, Like but written by somebody who I think doesn't like science fiction, you know what I mean.

Like it's these people who like are television writers and then they get hired on like this kind of show, and I'm like, oh, well, what would we do? I don't know, figure, what's what's the least sci fi thing that we can do while still getting away with it being somewhat sci fi? Yeah, immortality, right, like a brain thing? Yeah, transference or they or they have like numbers what is consciousness? But they weren't even really interested in any of that.

They wanted to tell this story about this like power struggled with this family and money and like who fucking gives a shit? Like, you know, tell the fucking story of the brain transference that occurred, which is a fucking miracle potentially. And then at the end it's like, Okay, so his body didn't even matter anyways, right, No, Like and like what the like the big triumph is not necessarily that his consciousness is still around us, that he's going to be able to retry that case? Right, Ok, we got good odds here. You know.

It's like, remember they talked back to a Christmin Glover about back to the future and like why he didn't get along with marvits Mackis And he was like, they rewrote the script where it's like the payoff was like it's all this monetary sort of payoff for Marty and his family, and I was like, that wasn't the original script. It was them like they got together as a family. That was the idea. And that's sort of like the same thing here. The relationship is broken irrevocably because he's a robot now or maybe robot who knows.

Yeah, yeah, it's like it's as long as you know, whatever consciousness you've retained, as long as there's going to be a monetary payout at the end, you're going to be good. And then I feel bad for his wife because then it's like she's suddenly his wife, right, even though she looks a lot younger than seventy eight years old, but kind of looks more like the age of Edmire and Arrow in this episode. Anyway, she's basically like his personal slave now where it's like, oh, I need you to do this, I need to do that because I'm fucking heading the box now. How and why is there a court case at all? Why didn't he just leave everything to his wife.

I don't get that at all. Did he trust her? That's the end of the story. And then he's like, oh, oh, I'll be here to help because I don't want it. You know, that could have been the story, like I don't want your fucking company, Like please please, they're gonna take it away, Like that could have been an interesting thing.

Turns off the TV. Yeah yeah, yeah, I've decided to go in another direction. Yeah, well that's the thing. I mean, for me, that should have been the ending. And he's just like turning it off and me like bye, nope, nope.

It's like the cheap cliffhanger ending. It's a cliffhanger ending to an anthology episode. And I tell you the thing that bothered me the most about this segment is one of the guys says we had to digitalize the data. I worked with an old guy years ago, this is the nineteen ninety six, and instead of saying digitize, he would always say digitalize, I'm digitalizing. Oh.

It was like nails on a chalkboard and here's this guy, We're gonna have to digitalize the data. I'm like, you would be more pacific than that. Yeah, please, it's for the future. Oh yeah, I wish that this episode wasn't the last episode of the show, But at this point I am glad. You know what wasn't as bad as some of the others we got.

That's true spin works. I mean this one was like, well, I could see problems with the structure and the blah blah blah, Like this easily could have been a good episode, Like some of them are just like burn this fucking thing, Like what why? What is the purpose? Yeah? Tell me your purpose?

Yeah I don't, man, what a just like limping along across the finish line, dragging, just dragging yourself across the finish line. Yeah. What an unceremonious end to the first revival of this great show, which would be revived twice more to varying degrees of success. The first two seasons of this iteration of The Twilight Zone are readily available, and you should visit the Ami Daly on YouTube because CBS doesn't give a singular goddamn fuck. So just like Tales from the Crypt on fucking YouTube, and it's entirety because HBO and the Gains family don't give a singular fuck.

They were so into the idea of syndication and making money off of this thing that they fucked up the last season ish, So why not actually put it out there in a different form and make some money off of it. I've got the DVDs. Uh, yeah, I don't know. I don't know. This last season of the show, Harlan Ellison, you know, obviously the stripping thing, the quote that you said, we knew, we knew about that, right, It's just it's just it's disappointing.

It's just just disappointing because again, the first season of the show is pretty good, Like, man, it looks like gold compared to the last two seasons. And you know what, his episode isn't great, but at least it's it's kind of cool because I know that, like Harlan Ellison hired Michael Strazinski for twilight Zone, so it's nice that he like at least tried to lend a hand. It's not you know, the results weren't great, but that's at least a decent thing that happened this season. Not much else. That's a great title, that's it.

Yeah, crazy as a soup sandwich And they say it at the end of the episode. Hey, that's the name of the app Yeah, because I will say that about the craziest soup Sandwich had over every other episode of the season. The opening narration was really good, and it's because Harlan Elliston wrote it. You's so yellow you could slather it out on a hot though. It wasn't just some perfunctory bullshit like that you know, could have been slapped on any episode.

It was like it was very specific about what we're about to see. So I like that. So is there anything else we want to talk about? Go watch season one? Well, that's what I wanted to ask you guys as we bring this to a close.

Is there any episodes that you would tell people to watch. I'm not your favorite episodes, but episodes that have stuck out to you guys through the run of the seasons or just in general. Because again, I mean, we're at the point now where the show we're done, but we I think we owe it to the people who have listened or who will listen to this. What episodes you know, just a couple that are worth checking out at the end of this, like Shatter Day, Wordplay, Dealer's Choice, a shadow Man, I have Newton, Those were sorry. Yeah, the Toys of Caliban.

Yeah, I'd recommend that that's a good one. That's an ikey one could see The Invincible Man. Yeah, the Uncle Devil Show. Yeah, Children's Zoe was good. Yeah, Healer Eric bagoshin my God, all the way back to season all the way back.

Saucer full of loneliness or saucer of loneliness, Saucer of loneliness. That's season two, right, yeah, very early season two. Yeah, Convicts Piano was tight, I thought. Yeah, Joe Penny, Yeah, yeah, that was enjoyable, a lot more enjoyable than this season. Little People of Klady Woods con Artists too.

Largest. This show has fulfilled one thing, which is planting the image of Elvis and paling Elvis on a guitar. Yeah, for all time. Thank you, twilight Zone. Yeah, thank you George R.

R. Martin who wrote that episode Elvis and paling Elvis and then making all of the same Elvis mistakes because I know so good. Yeah, Elvis gotta die to them drugs, baby, that's right. I guess like that could have been interesting. It could have been Yeah, you would have done everything he possede and like hating every minute of it, Like, yeah, it's like listening to I can't use the restroom today.

Yeah, right, Colonel Tom's on the phone, just like, yeah, we're gonna do a bunch of pictures. Like no, Colonel Tom ruined me. That seems that seems like a world ago. Oh yeah, Twilight So we're talking about to and we talked about we talked about twenty nineteen Twilight Zone even for a little bit, just a couple of episodes. Yeah.

God, we were like so excited. Oh, the twine Zone is coming back on when we're doing our shoe. Oh and it's what's his name, Jordan? Jordan Field does all this great stuff. So that was a fucking lie.

So what do we have to say for this show? Really? Watch this show? It's good? Really still say that the fuck yo?

Are you being for real? First season? Oh? Okay, watch the first season, but the first Yeah, but that's not what you said. You said, watch this show.

It's good. You'll know when to stop. That's when we all start. You know what we have when we all stopped? Is he I meant.

I meant that I meant at the time, in any right thinking, for iCal for anyone who knows there isn't isn't really that much of a massachust, Like, clearly the three of us, we'll know when to stop watching this show. Yeah, it's funny. I was reading some of our reviews and people are just like, these guys are so negative, and I'm like, we have reviews. Yeah, we have some reviews, like god, I've never read one. Yeah on iTunes.

Yeah huh yeah. Yeah. Well, now that we've finished, I guess already there you go. Well that's I mean, no, Mike's right, it's it's it's this is the same problem we ran into at the end of the Tales from the Crypt Show, where it's like it's hard not to be negative. It's hard to find the good things.

But it's also hard to sit here and let the creators and writers of this show shovel shit into our mouths and tell us it's chocolate pudding. It's I just as a viewer, I respect myself more than that, which is why I respect the audience enough to be honest with them. If you want to hear people just stroke the show. I'm sure go ask Jay Michael Strazinsky and he'll tell you how great the show was and how successful it was. Like it's just there's there's no point not being honest.

Right, you don't have to apologize about it. I'm not apologizing. No. Chris told me before he's not going to apologize for anything ever. Again, Right, that's good, sticking to the guns, Chris, are you Are you not going to take it?

No, you're not gonna take it anymore, not at all? Is that going too? So? I guess the final question I have here, Father Malone, it's twofold question. Hey, are you glad we didn't do fucking Sea Bass nineteen ninety nine one thousand percent?

Y? Yeah, now that we've come to the end of this show, are you glad Sea based DSV? Yeah, I'm glad we did Twilight so y and that was gonna be that That DSV thing was going to be a hoot for ten seconds and then we were like, oh no, now we have to keep watching this show. This show getting the fuck out of here. There was some gem, there were some gems and season gems and gems in season some gems in season two.

Some so just some jam. Yeah. She showed us how many one or two with three fingers? Three of the three? And should we talk about the next show that we're doing?

Sure? Sure, why not plug it? Baby? Go ahead for them alone. It's all on you.

Next step, we're going to be tackling another anthology television series, also Rod Starling related, but in this case directly Rod Starling related, as we'll be tackling The Night Gallery twenty and eighteens. Night Gallery Right, hosted by Michael Key. I'm hosted by Jordan Peele. No the web series on I f T TV, i f C TV, Keegan Michael Keys Night Gallery right right? Yeah, it was on yeah, yeah, I think it was on them?

Was that on two True TV? Was that on True TV? In between Impractical Jokers and the show about people who drive Poorly? Yes? Yes, So we're talking about Night Gallery.

So yeah, So this is the second podcast you and I have completed, Mike, Yeah, the second podcast you and I have completed, Father Malone, Yeah, I said, yeah, for both of us. Yeah. Well your name is also technically Mike, soh oh that's right. Yeah, I've got I've got a rep to protect that's right. He does any other final thoughts before we end this, No, I don't think so.

I'm glad the three of us did it together. This has been fun. It has been one getting to talk with you guys consistently once a month, and knowing that I get to talk with two of my best friends about a show that, yeah, it's not great, but you know what, that's not what matters to me. What matters we got to do this together. That's all that matters.

It's beautiful, man. I love it. I love you, I love you both. Oh, I love you too. Man's recording that's what I's thank you good.

I want it to be, And that's what I want the Twilight Zone to really. The people love the Twilight Zone. I want them to come away with that mention that love. Also, I love that there might be a horrible twist coming up that's actually well plotted and thought out a last season one, and I hope that happens to everybody. I'm fringing you love Jesus Christ.

So yeah, on that note, Mike, where can people find you? And as always, you can find me over at projection Booth podcast dot com, where I put on a weekly show talking about movies. Usually I'm not a negs. I am here because I try to cover movies that I enjoy. Even if I don't enjoy, am I trying to at least give them a fair shake.

So yeah, that's me. How about you, Chris? Not what the iTunes reviewers told me? That's true. It gets way too political.

You can't own the libs any harder than we're owning them now. Man, what about me? See stashu dot com, cstac hiw dot com. That's where you can find me lots of things. Father Malone and I have worked on Chronicles from the Crypt, another show in the bag.

Mike and I have also worked on Cold Check Tapes together, another show in the bag, Fast and Scary Stories we tell. Just see stashu dot com. That's where you can go. And Father Malone, where can people find you? Check me out over at father Malone dot com.

There you're going to find the links to my show Dark Destinations. That's a half hour radio drama right and produce. There's links to my YouTube shows and other shows. Is like the aforementioned Chronicles from the Crypt with Chris and this show. And apparently if you go there you'll probably see a button Mark Knight gallery as well.

And big thanks as always to Roxy Drive and Neutron Dreams for the theme song for the show. And uh, you know, I would say make sure to check us out on the next episode. But you know what, just make sure to uh stay weird and check us out in the Twilight Zone. I guess.