Episode 35 - Latka's Revolting

Weird media. Ni mister you see that guy with it now he's an actor. Driver and the only camp driver in his place. Good evening and welcome tonight, mister Walters a taxi podcast am HP co host and with me as always is my other co host, father Malone Fallow alone. How are you this evening?

He'd be da. See, I thought you were going to go for adip Phoebe. That's what. Phoebe. We're talking Taxi Season two, episode thirteen, Latka's Revolting.

This was written by Glenn Charles, Unles Charles, The Charles Boys, The Pride of Henderson, Nevada. Back in the director's chair is James Burrows. oOoOO, bring back Weinberger. I guess they worked out those issues on the associates. Probably, yeah, they forgot it wasn't gonna last. It's a reminder we're going to do these shows in broadcast order and not in order of filming.

We opened on the garage. The Cabby's are playing poker at their usual spot, and Laca is busy bopping around in the background, working on a cab while listening to a radio broadcasting the news in his native language. Hey side note the first side note of this episode, according to the official Taxi fan guid, Frank Love's the radio broadcaster speaking in Laca speak. Do you know who that is, father Malone? Oh no, it is jud hirsh the radio broadcaster who cuts in and goes blah blah blah, bah blah blah blah.

Wow, that's fantastic. I had no IDEA additional side note before I move on, Laca is listening on this little, tiny, red transistor radio. Do you remember those father balloon? Did you have one of those as a kid? I did.

My older sister had one. All of her friends had one. It seemed like every kid had one. I had one too. Mine was also red and it was from Radio Shack.

I think they had a brand called Realistic, and it's a little transistor with a little dial on the top that you would pick up. I was sort of swept away by the memory of that radio, by seeing Laka listen to it. I wondered if you had the same experience. It sounds like you did. I was swept away with the notion that I don't ever have to listen to open air terrestrial radio again.

If I don't, if I don't need. To, well, there was a charm to that back then, But. Then again, it was the only game in town, so this is true. At a certain point, there were only three networks before more cable TV, so life was very much simpler back then. Alex asks Locha about the broadcast, and Loca catches him up on the news of the day in his country.

By the way, I really wish we knew what his country's name actually was. We never learned it, but every time I want to make reference to it, I've got to say Loca's home country. Did you find that annoying? Ba blam alone? I imagine the writers found it particularly annoying.

Yeah, but they persist, they insist upon it. Suddenly, in the midst of this broadcast, the news reader I e. Jed Hirsh breaks in and Loka is sent into a panic. The cabbies all ask him what's going on, and he can only respond that wonderful word out to Phoebe Oda Phoebe. This sends a likewise panic gym running out the door, despite not even knowing what the word means.

Is great. Uh yeah. Loca explains that it's a revolution. People in his country are taking up arms and there's fighting in the streets. A very uh, very properly offers to take lock A home to check in his family.

Louis allows it, but only if it counts as a vacation day. So wonderfully soft hearted Louis lets him go home, but he docks him of day's worth of vacation. This prompts a stern rebuke from Alex. He says, the seeds of Addi phoebe have been planted and the rest of the Cabby's mines, and this elicits a slow, zombie like chant of Audi phoebe, Audi phoebe from the Cabbys, including all of the extras, as Louis cowers in his cage and pulls the shades down. It's actually a funny moment.

Oh, I loved it. I wanted there to be an actual revolution at that point. I wanted to be like wild in the streets. I wanted the tires to be on fire and rolling out out of the garage. I wanted the rule to look like the Apocalypse.

Cabs like careering crazily through the streets, running over pedestrians. That's what I'm talking about. Well, we don't see that, but we do cut to a b roll shot of in New York Street to your earlier point. In the last episode, there's snow all over the place. It looks like winter has come to Sunshine.

We didn't see that. Is that what you're saying? We didn't see the apocalypse? Sadly, No, but it's there's a little bit of snow, so maybe that qualifies. And some people they cut to a b roall we've already seen from last year.

That's true. With that weird I think it's supposed to be like a sidewalk shovel machine. It's like the steam engine rolling down the street. Yeah, that's the same one. You're right, I in fact, and I in fact remember that it was that Jeffrey Tambor episode.

Yeah, we didn't like that episode very much, as I recall. No, and I don't like this b roll. There's something about the winter that makes it all the more oppressive to me. I absolutely agree with you. It flashes me back to living in the Northeast with you, and it's it depresses me seeing the snow and seeing everyone have to like trundle in and out in their overcoats.

Some of us are still out here. Granted at this moment, I would like to live at the center of an ice cube, because it's been a summer of one hundred and ten degrees every day. Even though HB I did remark last season how proud I was of the show that they committed to winter, whereas most shows will only give us a winter episode when it's a Christmas episode, and then it's right back to the eternal summer. I think we've expressed admiration for the fact that they're able to sell the idea that it's cold, even though this show is obviously being produced in beautiful, sunshiny California. But it's more, it's less about the bureau, and it's more about when you see like Bobby hustle in to the garage and he's got gloves on, he's rubbing his hands for warmth, and he's blowing on his hands for warmth.

That to me is selling it without making me feel depressed about the prospect of winter. Because here we are, it's fall is almost upon us here in the Northeast, and soon enough it will be winter again. I'll be back in the midst of all that cold and trundling around and all that kind of stuff. We cut to Laca talking to Alex, and Laca confesses to Alex that he wants to go back to fight for the revolution. Side note.

This is all interesting considering that we learned from Mama Gravis that Laca's father was actually a policeman in his country. He was actually one of the oppressors, not someone who is a revolutionary fighter. I guess somehow Laca developed a rebellious streak at some point. I don't know what do you make of that? Wait, I thought he was going to fight for the opposition.

No, he's fighting for the rebels. That's what he wants to fight for in this episode. Okay, so he's going to fight oh right, because they're going to fight the tyrannical despot. The tyrannical despot, that's really the answer, because there is no there's no government that they're fighting against. They're fighting against the tyranny of a despot.

But at the same time, again, he was one of his father was one of the oppressors. I just thought it was interesting that clearly Loka has had a change of heart at some point. Being in New York. Well, you know, kids rebel against their parents, right, sure. Alex tries in Vain to get Loca to look at both sides of the dilemma, his loyalty to his homeland versus his love of his new home in New York.

But this only serves to really frustrate Laca. He walks away, muttering that he might as well be talking to his wrench, which I think is really funny. I love seeing Loacha drop the sweet, good natured act and mutter to himself about what a jerk that guy is. I just think it's funny. It's great to see the real Loca every once in a while, you know.

So at that point, a spiffy dressed, bearded man comes in. He's speaking still to English. He's looking for Laca. This man, as we'll discover, his name Bashi and he he's played by an actor named Lenny Baker. Did you know anything about Lenny.

Baker, Father Malone, No, and I don't want to. Well, I'm going to tell you about him. Thank you for asking. He was an up and coming actor. It's actually a very tragic story that I'm going to tell you.

Oh that's well, here we go. He was an up and coming young actor whose biggest role up to this point was nineteen seventy six's next Stop, Greenwich Village. Do you remember this movie? I do. Paul Mazerski.

Baker starred along Christopher Walkin. Ellen Green was in this movie. Shelley Winters even an uncredited turn by future Taxi guest star Vincent Skiavelli. He was in this movie as well. It's like a coming of age in I think it's like the fifties in New York and Lenny Baker was the star.

He was the main character of this movie in it, Masurski. This might have been his first movie. Sounds about right, It sounds autobiographical. I haven't watched the movie, but I did watch the trailer prior to recording this episode, and it looks like a nice little slice of life, like a Brighton Beach memoir kind of a movie. Right.

But sadly, this guest spot on Taxi would be the last credit for Baker. He would die of AIDS related cancer in nineteen eighty two at age thirty seven. Very young. Wow, he might have been one of the higher profile early AIDS related deaths at that time. Eighty two was super early for AIDS, was it not?

It was so not high profile though. All right, now I feel bad saying how bad he is in this episode. But he's terrible here, but. He's cartoonish, all right, there's no getting around there. Do you think he wandered in from the Popeye said, it feels like.

Fair enough. He feels it's like the after the split from the dubo of the Yakov smearnof and what's his name and or whatever his character's na would be like, you know what I mean? He seems like the Yakov straight man or buffoon one or the other. I don't think you can pin it on him. I think it's this is a very cartoonish episode, and I think I.

Can him because it is a cartoonish episode. But all of the humor is derived from gibberish and physical comedy. And this guy's bad at both. His suit was fitting and he stood in a weird stance. Well, the suit being ill fitting is perfect for the character because he's basically like a guy who is working at a car wash.

He doesn't have a lot of money, so I don't blame him for having a no fitting suit. Laka and Bashi greet each other excitedly, and they have this bizarre choreographed dance followed by some Laca lank. You can tell they fucking rehearsed one time. It is very awkward. He's looking for the ques from Andy Kaufman.

What to do next? Yeah, side note, while this whole exchange is going on, looking on behind them, it's behind this motor oil dispenser. Who do we see, fall Blone. It's Richard Sakai. I love seeing Richard Sakai back there.

I'm not even gonna call him Captain Marvel anymore. He's this is Richard Sakai. I'm sure of it. So Laka introduces Bashi to the rest of the Cavies, and clearly no fool, Bashie spends a little extra time flirting with Elane, as any red blooded man would be wont to do. At that point, Bashi goes on to explain that he came over to the US with Laca at the same time, but he went to Hollywood instead of New York.

He would to become a movie producer, but he just ended up working at a car wash instead. Elaine asks him what he's doing in New York, and Bashie explains that he's going back to fight for the revolution and he's taking Laca with him, which is a little presumptuous, I think, but what are you going to do? Well, you know what the Laka he left lacus homeworld, home country, home world. That guy probably you know, miss did not want to leave and was home second stuff, So he probably remembers Laca being very pro Lacha's home country. In the intervening years, clearly Laca has enjoyed He's grown to love New York, and he's grown to love America.

I also am now really appreciating that they've never named Loca's home country, because I'm having a good time saying Loca's home country. Locha tries to explain to Bashi that he's an American now, but Bashi is having none of it. He says he's still Insertlaca's home country on the inside, And just when Laca is ready to tell Bashie once and for all that he's staying in New York, Bashie launches into what I can only assume is the national anthem of Laca's home country. This stirs Laca's nationalism, and he decides to go ahead and fight as and evidently we find out that he's actually a general. Locke is a general in his country's army, So Loaca and Bashi march in lockstep out of the garage as we fade the black quick side Note Taxi co creator Stan Daniels wrote the words and the music to Laca's national anthem, not a little tidbit for you, follom alone.

So he's to blame. Okay, got it. As you cross a name off of the list, he's to blame. I'll be getting him. I'm Attingham to a list.

So we we fade into Marios, or rather we have another fun directorial choice here. It's assumed in image of a window with snow furiously falling in the background. Yeah, we zoom out, Yeah, we zoom out, and we're in Marios. We didn't know that initially, but now we're in Marios as it's snowing like crazy outside. They learned their lesson from that fucking Bobby Wheeler episode.

As far as the dribble dribble drap, this is, we've got a full on snowstorm going on here. The dribble dribble drap was somebody just wantonly throwing snow at the window. Yeah yeah, those machines that should have shaken back and forth like letting out. Like I think of Peter Brady and that Brady Bunch episode where he's get the box of detergent flakes and it's supposed to be snowing at Valley Forge. They're making the movie about George Washington, right, And yeah, it's much more like a constant stream of snow falling it looks despite that, it looked in no way natural, the way it was coming down.

It looked completely artificial. But yeah, yeah, there's nothing they can do about that. At least it doesn't look like there's just a snowman off camera sneezing every once in a while. While Yeah, so the cabbys are all in Marios with Laca and Laka is dressed in a brown military uniform and behind the bar is a giant banner that reads good luck, Laka. Laka is bemoaning the fact that everybody's there except for Louie, which I think is sweet and actually sad, because all we've really seen of Louis up to this point is being abusive towards Laca in a fair variety of ways, including this very episode he let him go home if he docked him a day's worth of pay after making a toast to Laka Alaca mingles a little bit, and Lane wonders if there's anything they can do to keep him there.

We'll see she's very worried about Laca, but Alex says trying to keep Laca there will only make him feel worse. Tony unfortunately relates an off color story about some friends he had in Vietnam, but it's frankly not worth repeating here, and I'm just gonna leave it at that. Elaine goes over to Loaca and tries to convince him not to go, and she sits him down and explains how they're how worried they are for him, and that they wouldn't consider him a coward if he stayed. But Loca says his troops need him. Tony pipes in and says he congratulates Laca and being a general at such a young age, and this is our first clue that maybe their army in Lacka's home country isn't all cracked up to.

Belaca says that being a general is the easy part. The hard part is being a living general vaudeville. So it feels to me like if anyone is who knows Star Trek the Klingons, they all like advance in rank when they kill their superiors. But I think in Loaca's case it's the reverse. You only advance because your superiors keep getting killed and you keep getting pushed forward despite any aptitude you had for the job.

So littorried for lack of myself, not gonna lie. Corporal Hicks, same principle. Your entire squad gets wiped out by aliens, your corporal suddenly is your leader. To be fair, Hicks was a born leader. He was you know, he was the next man up.

Well, look, he was certainly capable. But I don't think he wants the gig. No, But some people have greatness thrust upon them, and. You know, use Corporal Hicks Lockeda's home country if they might have. Had a chance.

As we'll find out there, the odds are looking pretty slim. Everyone gets a moros to look on their faces. All at once. I think they all realized that this is this could really happen. Loca could very well die while he's fighting for his country.

To try and cheer everyone up, Loca pulls out a couple of bottles of breathnish from his home country. This is his alcohol. Although we did see there was an episode. Where was it? The what episode?

He brings it to a party? That's right, uh burn in his girlfriend's house. Was that it? That might have been it. He did have an alcohol which poured like maple syrup.

It was disgusting. This is not that. This looks like green scope or something. It's discussed. It looks like the fluid from Rannimator.

Yeah kind of. Yeah. He pulls onto these two bottles of breafnish and Alex grabs one and takes a big swig and falls backwards cartoon style. The only thing missing father Balone was like smoke coming out of his ears. Right, Yeah, and that like sort of clobbering sound when he hits the ground of that.

You know, I think we could agree it's neither Alex's nor jud Hirsh's finest moment, So let's get past it. We cut back to Marios and sometime later and Laka and the cabbys are doing some kind of folk square dance in the middle of the restaurant. They've pushed all the tables, so there's a big dance floor they've created. They're using the traditional table click wow. Yeah, the red and white tablecloths they.

Formed a country. That's the tradition there. They bent with white, red and white check tablecloths. It is pretty funny just because a Kaufman has this funny look on his face, as because what they've done is the cabbys are surrounding him and they're each holding an end of a tablecloth in their hands, so they've effectively encircled Laka while he's dancing in the middle, waving his own tablecloth in the air and pulling funny faces. And then each cabby takes a turn in the center of this ring and they do a little they do a little dance.

I think. Of course, Bobby shows off by doing like a split or something. He does a fan. No, he does a handstand. That's what he does, right, Yeah, this is great.

He does a little handstand. And Elaine does the same kind of moves she did in the apartment where she drops, you know, kind of like what did you call it? It's not it's not great. She should stop doing that. It's like a proto twerk, which.

Yeah, yeah, right, it's a tourk without any of the turking, so it's just sort of a squat. And if she's on a pedestal above everybody. Then it's sexy if she's in the middle of a room with people dancing around with tablecloths and she squats down and then it looks like they're just trying to block the view so she can pee. Even Alex, who has apparently recovered from his refiniche swig, he jumps around like a madman, waving this tablecloth. The remarkable thing isn't that this is happening at all, but it feels like this dance because there's a there's an accordion player playing folk music, and this feels like it goes on fall Malone, no kidding, for like twenty minutes because they're just sitting here dancing and dancing and dancing.

Then one guy goes in the middle. Then a lane. Was this inspired by that fucking sequence from The Deer Hunter, like right before they go off to Vietnam, that fucking party that never ends? That's what I call that is a really good call because you can almost admire the balls of them to take a pretty hefty chunk of a twenty five minute episode and just devoted to folk music and dancing because there's no dialogue, it's just them dancing around like mad men. As a viewer, I'm tired of it pretty quickly.

The dance finally climaxes. Everyone catches their breath. Then Louis finally arrives. He acts rather coldly to Loca. He claims he only came down to give Loaca his severance pay.

Kind of weird. Louis sort of grouses about Loaca. He's running out on both the company and America. Like, I, when did Louis become such a patriot? It seemed odd?

What did you think he is a veteran? That's true. We did find that out about Louis, didn't we. He just doesn't want Locker to leave. He's playing every angle that this is prime Louis depa.

He's just he wants to get his way and they'll use every means to do it well. And this actually brings me to my favorite part of this episode. Louie is about to leave. Yeah, well, he says. Louis says he's gonna he's gonna leave, but he says, I need to give you a piece of my mind.

I'm gonna chew you out some more. So they go outside because ostensibly because Louis doesn't want to embarrass him in front of everybody as he dresses him down, and they go outside and they're silhouetted in the door of Marios, and you can very clearly you can hear it a little bit, but you can very clearly see it might have actually worked better if you couldn't hear anything. You can see Louis talking, gesticulating to Loca, and it ends with him giving Loca a big hug, and it's all just silhouetted. You don't really hear. I think you might hear him say take care of yourself, Loca.

As sappy as this is father blahone, I think it again. I think it might be my favorite moment of the episode. I do like it when Louis depends its expectations and proves that he does have a heart in the midst of all of his monstrosity. And I don't know, I just I found it moving. What did you think of that moment?

How did I know that you were going to be affected. By this moment because I'm sappy? No, because it's a great moment. This my favorite moment of the episode as well. This one stuck with me.

In fact, I did not remember this episode at all until he said come outside with me. I'm not done chewing you out. And I immediately flashed back to that moment, to the silhouetted hug, seeing this as a kid and feeling as I felt then that what a great moment between Louis and Latka. That moment, in fact is in the end is going to elevate this by a yellow light. For Melaka walks in, he's crying from the emotion of what he's just the hug that Louie just gave him.

Elaine makes her own tear filled toast to lock and then Bobby, of course, being this actor, he quotes Anthony and Cleopatra to Laca to commemorate his bravery, very hammy, but again total yeah. And I thought Loca coming back in crying was him fake crying like he had just been read the Riot Act by by Lewis. I didn't think he was crying because he had been moved. I don't think Loca is capable of that kind of subterfuge. I just think Loca was so moved by the display of affection from Louis that he couldn't help crying.

I think the. Unless he said, now when you go back in there, you got to pretend like you're crying, like I was really yelling at you. You're out here. That's possible too. I don't know if I had enough time based on how quickly the moment comes and goes.

Alex also makes a toast to Locka's homeland in his safe return, and finally Loka makes his own toast to his American friends. He expresses his love for everyone. It's a very sweet little moment. But just then your favorite guest star Bashie and a motley crew of other soldiers file in to Marios to get Laka to go. Loaca says, it's goodbyes to everybody.

It's a little like The Wizard of Oz, where he's each person in turn gets a bug from him. Elaine tells Loaca that she'll write him every day and asks if Loca can draw a map of the country. This is kind of an odd bit here. Uh yeah, it's all of a sudden like this, this bit with the chalkboard. Tommy your favorite TJ Castronova Quest stars Castranova.

He's the show runner of Taels from the Dark Side. He grabs a chalkboard from the back and Bashi draws the map of a lot of his home country, and as he draws the map, he's filling in where the rebels are and where the forces of the tyrannical Desk spot are, and it's becoming clear to everybody in the bar that the rebels are hopelessly outnumbered by the government troops, and Laca, realizing this, tells Bashi, in the perfect Lakka fashion, to kiss his yaktabe and he's going to go home to watch the Tonight Show, which immediately dates this episode if nothing else, because nobody says anymore, I'm gonna rush home and watch the Tonight Show with Jimmy Fallon. Nobody does it. This was the time of Johnny Carson where the Tonight Show was must watch TV, so a joke like that could play.

Right, Well, I mean, it's the Tonight Show. You could say it up until streaming. What that it was must watch TV, that people are. Going to go home and watch it. I don't know how many people are that excited to watch jay Leno on the Tonight Show?

Were you? Clearly thousands of of old people were dying to watch jay Leno weekend and week out. I suppose, but I wouldn't call Laca an old person. He was you wanted to what was that a Jay Leno? Hey?

What are you doing that? Hey? You know a couple of years now. By the way, side note, do you know, in my opinion, who did the best Jay Leno impression? John Appeta, Chris Eliot?

Did you ever see Chris Elliot Leno on? Yeah? We did with prosthetics and everything, right. Yeah, ye had the chin. It was great.

There's a sketch on YouTube and I'm going to cut to it right now. As a matter of fact of here's Chris Elliot doing Leno on Letterman. So I brought the TV gud with me. No evil twins this week. But take a look at these mind teeths in the cross were publish.

Look at this. This is forty eight across. It's a TV show fort Letter's Miami Blank. Oh, I don't know, Florida. What are we?

More n more n. I would encourage you to check out there's an episode of The Ben Stiller Show where they're doing auditions for the Tonight Show. Most of his garbage, except for jet Apatow, who's not a performer on the show in makeup, does a Jay Leno. That's fucking killer. You know, I tell a joke.

That's all I do. I tell jokes. You know, I don't do the tea time theater. I'm just you know, I tell jokes. You know I'm the home friends.

Did you read the paper today? I mean, this is what I do. It's it's pretty simple, really. So Bashi comes in with these troops and he leads the rest of the troops in the country's anthem, which again is rousing Lacta's patriotism, and he's now conflicted once again. But cavvies, what do they counter with?

Father alone? What do they start singing? They counter with the Georgia M. Cohen classic Yankee Doodle Dandy, Yankee Doodle, Well, do or die. They're trying to drown out the soldiers and Alex does this thing where he brandishes this map that spells doom for the rebellion, and he goes from troop to troop and everyone he shows this.

It's like something out of the Yellow Submarine when they're in pepper Land and all of a sudden, everybody's coming back to life. Every troop that he shows this thing to immediately decides not to go fight for the country, and they go over to the American side, which I thought was sort of silly. You know what's funny is I also thought of a Beatles related thing. I thought of that Peppers on the Hearts club Bound movie, the Steve Martin segment the Doctor Maxwell where they're going from person to person going zap zap, zap zap, and they turn from like basket cases into Hitler youth. It's that.

And there was another bit in that movie at the end when Billy Preston is singing and get Back and he's shooting lasers out of his fingers and he brings back strawberry Fields from the dead and he shoots mister Mustard and he becomes the Pope. Do you remember that? Oh yeah, there's a lot of weird transformations going on in that movie. Yeah, not as interesting as a chalkboard, but they do what they can here at Sunshine Cam. Finally only Bashi is left to advocate for his country, and he blows his whistle.

He has a whistle around his neck and he blows it to stop the singing, and you think he's going to make some sort of pronouncement about his country or what have you, But all he does is he finishes the Yankee doodle Stanza and he cap dances his way over to the American side and ah, everybody cheers. Hey, they convinced everybody to stay in America. And that's a good thing. You can tell that by the pause. So that.

This episode got me thinking about nationalism and got me thinking about Friedrich Nietzsche, who thought all nationalism was garbage, like it ultimately divides us, even if it gets us a sense of pride. And he was a man who would at dinner parties play piano until his fingers blood, so you can trust him. That's all continue. So that's the episode that is Laka's Revolting. Now we're going to talk about yellow lights.

What does a yellow light mean? Reminder, we're going to score this episode from one to five yellow lights. One yellow light is the worst taxi episode five is the best, and as is also our custom, we're going to kick it over to Father Malone. Father Malone, what do you give? How many yellow lights do you give Lacas Revolting?

I give Laka's Revolting three yellow lights? Asterisk? I think three? Well, first of all, what's the asterisk about it? It's a two yellow line episode that gets another yellow light because the scene of affection between Loachka and Louie is powerful enough to rate its own light.

Well, I disagree. I gave this two yellow lights. One of those is purely because of that moment between Laca and Louis. Look, it's always interesting to have more of Loaca's blanks filled in, like about his country and everything. But this is a little bit of overload.

It gets it. It shades too much into the cartoonish, and as much as I want to appreciate with Lenny Baker and his performance, it's far too cartoonish for this. Laca himself is a bit of a cartoon and I don't really love the two of them playing off of each other. My cartoonish do you mean terrible? I didn't think Baker was as bad as you did, and any shortcom I'm going to attribute to the writing.

But you know, it's a difference of opinion. What are you going to do lack eccentric episodes? This is you roll the dice. There's always something fun in store, but sometimes it's a little too wacky, and that's what we're seeing here. And again, as I said in the previous episode, this is not really an episode that I would revisit all that much anyway, So for that reason and others, I'm giving it two yellow lights, So two for me, three from Father Malone.

That will do it for this episode of night Mister Walters, Father Malone, Where can folks find you when you're not clocked into the garage? Check out my podcast Midnight Viewing. It's twice a week podcast you can get on all of their pod catchers. I also do a show called Dark Destination. It's radio drama, rite and produce, and HP does music for Hey.

By the way, HP does the music for everything I do. Pretty amazing, so go check him out as well. Well. Thank you appreciate that now it's fun. I also can be found in some of the nooks and crannies of the weirding Way Media Galaxy of shows.

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Thanks again and we'll see you all next time.