Episode 03: Terror in the Neighborhood

Well lease que in Color, starring Leslie Nielson, also starring Allan North and Rex Hamilton as Abraham Lincoln. The night's special guest star Lawrence Henderson the night's episode Terror in the Neighborhood. Welcome to from the files of Police Squad in Color. I'm your host, Mike White. Joining me, of course is mister Christashew because zoom tight and with us, of course is mister Mark Begley.

More than anything, Schnookie lumps on this episode. We are talking about the third episode of Police Squad Rendezvous at Big Gulch, which was aired July first, nineteen eighty two, several months after the fourth and fifth episode aired, even after the not before the sixth This one, yeah, it feels confusing. It's like Christopher Nolan released, Oh is that what this is? What this is? Like?

Sure? Yeah, well, this storyline takes place over a month, and this one's over a week, and this one's over a day. Good luck figuring out fuck you burned him all the way to the ground. You know, I was watching this episode this afternoon. I was watching with my folks and they were like, well, I can see why this show didn't last.

Yeah, ran about six episodes. They really didn't have any faith in this show, did they. No, shockingly little faith it was given to this show, which I don't understand because even though this episode is kind of more the same of the literalism, it's still really funny. It's pretty darn funny, and there's a lot of good jokes in here, and this one is one of those that again I just I remember it clear's day, the whole thing with the locksmith, and of course one of the greatest lines of all times, who are you and how'd you get in here? I'm a locksmith and I'm a locksmith?

Delivered perfectly in this good That's one of the great straight man lines of his. It's delivered brilliantly. The beat between that I'm a and I'm a is just perfect. I had a fun time watching this one, No, it was great. And yeah, introduction of Norberg as a character, which is fantastic.

I was so glad to see Robert Costanzo and John Ashton and here is Leo and Rocky barely recognized John Ashton at first. This is like pre Beverly Hills cop. He's still got the long hair and stuff, but he plays a heavy really well, I mean Robert Costanzo. He just he's made a living off of playing mobsters. A huge fan of John Ashton from his time.

And Meet the Deedles, the Paul Walker, Steve Warmer Bill and Ted Knockoff from the nineties and that a great that's a deep pull. That's a movie. You haven't even seen him, right, that's right. I don't even know if Father Malone's seen that movie. No, I don't know.

Mark Begley, have you seen that one? No? I thought you were gonna say, Meet the Feebles actually one of John Ashton's lesser role. It's hard to picture him without his mustache, right, Yeah, And in that movie he plays the head park ranger at Yellowstone. Can't you just see him dressed up like that?

Like in every everything else I've seen him, And he plays such a good hard ass, and it's interesting to see him here as a goon. He's very much a goon. Yeah. So the plot of this one, as it were, is that there are mobsters who are shaking down various business owners in whatever city we are in. Yeah, there was a picture of a map.

I didn't take note of it. I can't remember if it's this one or the next one where you've got the Eiffel Tower outside. I think it might be this one. It's one yeah, yeah, when he's talking with the dance teacher, one of the first victims of being shaken down. Great great joke here of the dance teacher telling the little girls do what I do.

Follow me, and then when she's getting beaten up, you cut to the little girls and they're doing the reactions of the motion getting beat up. It's so good, So Frank and Norberg have to go undercover as Locksmith's not Oxsmith's A. That's a great one. Well. The and the Keister one is another good.

Yes, those were the things that were keeping me going on this one. I'm like, okay, there's some nameplay, but these dad jokes are working for me, my little Keister. The one that got me the most is when they're passing the paper back and forth and it's like you have to have the paper before so that you can say the next line. It's almost like the lines are on the paper. I really like that when he says, uh, oh, she's looking pretty rough.

Frank after the dancing teacher's been beaten up, and he goes over and there's Quasimodos sing there not that bad, Frank, excuse me, ma'am. Similarly to the last episode, they take a lot of it literal again, it's a lot of literalism. Again, I think it works for the most part. I don't know. I'm feeling like, having you watched three episodes of the show now, I think I can tell when they're going to have the joke.

Right, it's like da da, and that's the joke, and then they cut away or then somebody it's like, all right, I appreciate that. I think the jokes that work for me in this episode are less of the literalism jokes and more of the word play and the sight gags. Because the sight gag with the keys does work every time they do it, yeah, which I would think it would stop working after a while, probably the third time, because I think they do it three times at least that's the comedy rule. Yeah, it works for me, but it's like the literalism is a little much. Put a tail on her.

Yeah you know where that's going as soon as he says it, but you don't actually get to see her with the tail on. Correct, that's true? Yeah, Okay, you just they don't follow through right right. This one was written by a writing team of Nancy Steen and Neil Thompson, and they worked a lot together on things like night Court, and I can't remember if she worked on they were together on night Court, she worked on things like More Commendy. She worked also on Hot Shots Pardieu.

She actually has more writing credits than her partner, I think. And then he was more about night Court, but this is one of their early stuff. And then Pat Proft is also on here, and Pat Proft has done a ton of stuff. I tried to speak with him a few months ago about Real Genius. So he had his own writing partner, Neil Israel, but this one is Proft on his own.

I think it works for the most part. I mean, we're kind of just going through all of the generic setups for a cop show. I mean, but that's I mean the cop show that it's parting. It was a lot of these kinds of you know, go undercover, go fix up your stop a fight from being fixed, like we was on the last episode. It's drawing on the actual cases from the show.

For the most part, it works. I don't know. It is hard to really comment on whether or not the show would have worked, because in a lot of ways, the show kind of doesn't work. I don't know if that makes sense to you, guys. It like it works almost in spite of itself in a lot of ways, Like this kind of show should not have worked as well as it does.

I don't think. And again I think our opinion on how well it worked is going to vary from episode to episode. But this is a hard show to maintain the energy for six episodes. It really is, and it does show. I mean, there are parts of this where it does kind of just plod along a little.

They're exhausting to watch in a way because yea, and maybe it's because I'm watching them for this so trying to spot every gag you have to hit pause or you're going to miss the next one, so scribble down your note. But even when I watched them a couple last year or something, it is exhausting to have joke upon joke upon joke, and it makes me think at some point it's gonna wear really thin on the audience and they're either going to have to cut that down and go more plot wise, which probably wouldn't have served the show much better. I know that everybody bemoans the fact that it only lasted six episodes, but if it had been say a thirteen episode season, or god forbid, a twenty two episode, there's no way you would have lasted beyond one season either way, six thirteen, twenty two, whichever, There's no way to maintain this level of jokes.

It's tough to watch two back to back sometimes. You know, you're talking fifty minutes of just at least fifty jokes, at least fifty jokes in those fifty minutes, if not more. If it's Brian, it's rough work. I would this is tough people. Come on, you think while we do is just talk about pop culture.

I mean, we did talk a little bit on the last episode about why the show got canceled because they were like, well, you know, the audience has to pay attention the entire time, and I get it. I mean, I get that sentiment. Yeah, I don't know. It is a very funny show, but it is, like you said, it is kind of exhausting to watch. And like you said, the plots themselves, which are just there to have a show, are so incredibly basic.

Going undercover in a locksmith's shop, I enjoyed all the stuff in the locksmith shop. I really liked that Norberg was so into his job there. So good. Yes, which is got a big order on dead books, filing and using all the keys. Okay, this is a tangent, but I've read this before when I watched it in the past.

Supposedly that old guy that he's helping is Billy Wilder. He looks like Billy Wilder. Yeah, but when he pulls his hat off, he has too much hair. Is that really because he was pretty much bald on top from my memory of seeing pictures of him. Yeah, so I don't know.

Again, it's IMDb, so he's similar looking, but I don't know. It cannot be trusted. Yeah. I love the sign, the stack of them in the back, the keys, and then the Francis Scott keys, and the turkeys and the honkeys one and then later on you see a little bit whiter shot and there's a pot roast after the turkeys, and the continually raining stream of keys that the ceiling closes the door something those keys boom. It's a funny gag.

It ends up really working. I like when they get shot at and then they duck when the Rock comes through the Window Rock. The subversiveness of the show, I think is what really works. And obviously Leslie Nielsen's performance, he's just such a good straight man. Is straight man as the lead obviously, which is a pulling double duty.

That's not easy. Yeah, the straight man normally is not the lead. He just happens to be the straight man and the lead. It plays it so well that that is the reason I am such a fan of this TV show and those movies. He's because of Leslie Nielsen and almost I mean, the jokes are funny, but it's Leslie Nielsen's performance.

I mean, he is Frank Drebin. Even if I know Leslie Nielsen was drastically different from that character, I can only imagine him really is Frank Drebin even an airplane, Like he's playing a different character, but I might as well be Frank Drebban proto Frank Dreban in a lot of ways. There's one shot it might be in the next episode where he really kind of starts to a little bit and I was like, oh, that's the thing from Naked Gun that I didn't like, where he does a double take type of thing, and I'm just like no, no double takes. You have to take this all one seriously. One thing I didn't talk about in the last episode is the whole thing about because you kind of get a little bit of this here.

The whole thing about when he was living with another man and how everyone in the neighborhood was talking about it, and how he went off and got married and sure you met her and didn't really see the value in her, and you kind of start to get that a little bit with this whole schnookie Lump's discussion when he starts to really talk about how what Dutch is it, how it felt for her to be crushed up against his manhood and all this stuff, And I'm like, that works so well for him to be so gay about things sometimes. Yeah, I was wondering if we're going to see that come back after that his bit in the apartment in that first episode, I believe where he's talking about his roommate, it just keeps talking about it.

I mean, that is the thing about this show that would be hard to understand if you didn't watch the episodes before. I don't know, it's weird because it's like effectively becomes like an in joke, right well, it's one of those through lines like the cigarette gag. Yeah, that has appeared in all four episodes, I believe, or mister Olsen right this time it's he's talking to the little girl about static electricity, like when your mom takes a dress out of the dryer and the way that it clings to her clings to every curl. Yeah, and bringing those magazines you found under your father's bed. Oh so good.

We have a repeat of the is it in this one or is it in the next one, where instead of Frank leaning over to talking to the intercom, oh yes, Hawking does And I thought, oh, they're going to do something different, but no, it's the same same gag talking to the dwarf. Yeah, but I mean, are people going to remember, you know, we're talking early eighties here, People are going to remember that that was a joke from the first episode. Is it a callback or is it just you know, let's just kind of recycle stuff. I was expecting something different this time because we've done that joke, and yes, we've done the cigarette gag every time, but you know, is that the point of that to have it in every single episode?

I'm assuming it's going to be an All six and maybe it would have been an All thirteen or twenty two. I don't know. Chris and I we talked a lot about this when we were watching Cole Chack and when we were watching stuff back to back to back and like looking for themes and looking for you know, the mythology and all this kind of stuff, and it's just like, this is ten years after coal Check, but it still is this whole question of what would this have been like? And we got to see this, you know, Mark and I the first time around on television, and I mean even now watching it off of DVD, it's like, well, what would this be like with the commercials back? You know, how would those pauses in between the acts?

How would that affect me? And how would it also affect me? You know, a week or maybe even a month between episodes, because they fucked around with the time line on this thing. How would that be if I see one in March and then the next time I don't see it as until July? Am I able to know?

Oh, they just use that gag, you know, even like from a commercial break. It's like we're talking about you can't keep that up, And it's like, well, would commercials add to that, would they actually like give you a little bit of a breather, you know, let you have that pause in between all of this these jokes, or would this just play better as a movie. I mean, now we're gonna reevaluate naked gun and be like, oh no, this actually worked very well. I mean for me, it was just like I've seen all these gags before. But I'm curious as far as like other people when they saw that who weren't familiar with Police Squad, did they just think that these were all brand new gags and did they find it infinitely more funny than I did.

It's kind of like another show that has this kind of weird pre show existence. Ted Lasso had a whole YouTube like commercial NBC Sports thing where he was the character, and they have a lot of the gags from those in that first episode of the show. And I didn't know that the first time I watched it, and I saw it after the fact that they were funny, But now in hindsight, it's like that's a kind of lazy. It makes sense, that's what they initially got everybody's attention with, so why not include it. They did it kind of reverse here, it's the show then the movies as a well.

I guess you know, whatever value were you want to look at it now, it's going to make me question the jokes when they use them in the movies. Right, they're funny. I can already see the gags that show up again when they show up in the movies. I think they're done better in the movies. I think they do a good job in the movies of picking the stuff that does work from the show.

But it's surprising the cigarette gags not in the movies. It's not that I can remember. It's definitely not in the first one. I will be looking for it for sure. Remember there's no Johnny in the movies either.

Ted the guy in the lab, he's in like one scene and it's completely different. He's not a creep at all. He's just I don't know, it's kind of a dick. They do change the formula a little bit. I think they change it to maybe make a little bit more palatable for the screen.

Some of the jokes are kept in there completely, like the you've got something on your face is one for one, no other side, it's one for one. What's funny is if you look at that gag in the second third episode, second and third episodes. That gag hasn't really worked as well since they did it the first time, because they've done kind of riffs on it and it hasn't worked as well. Is it in this one where he has the long hair? It's the next one and this one he runs into he had run into a fire sprinkler, right, yeah, yeah, yeah, yeah, yeah, what happened to your fire sprinkler?

Yeah? Get it? I get it well? And who do we have Johnny talking to this time? Speaking of recurring gags, this one is a fireman.

Yeah about polyvinyl. It is just surprising that that gag is left in the show and it doesn't make its way into the movie. Is that guy dead? Maybe? No?

Still around? I think I don't think he's around now. He's no longer with us. Or he was probably thirty five when they shot this. Yeah he was twenty three.

Oh he was ninety nine. Yeah, he died in twenty eleven. Yeah that off the top of your hit. No, that's the internet. Oh what Yeah?

I know you probably thought I knew it, but I did. One of the last roles that he was in was old concession worker and how to lose a guy in ten days. Wow, go from Johnny in the Naked Gun to concession stand worker. So he would have been sixty at the time of Police Squad Wow. Oh shit.

Oh he actually looked pretty darn good then, yeah, sh so. And he definitely was working when the Naked Gun movies were made. Yeah, that was around the time that he was in Alvira. Mistress of the Dark was one of the first ones of those. It's kind of surprising, Like, I know, we talked about why we thought it didn't work because it's kind of like a totally out of like place time wise, but see, I don't know.

Yeah, we'll have to see what other sort of out of time references there are in the movies. I mean, I know they do really try to upgrade them to be current day, you know, especially I can't remember. Well, yeah, they've got obviously Queen Elizabeth. The second I don't think they start getting into like the Saddam Hussein's stuff in until that's the hot shots they have they have i Atola oh wow. Yeah, they have Iatola Kadafi Edi Amine and like the first scene of Naked Gun.

Wow. Yeah, yeah, that's weird. It's very weird where the show is right now. It is a cop show. The movie is not.

The movie is sick. It feels so like imagining in my mind where we're going to get to totally with the movie. I mean, the show is parroting at leastys. This episode is parting James Bond. Yeah, yeah, I did really appreciate that with the cat and then when he ducks down into frame.

That was really funny. That's a good visual gag. Felt a little bad for Florence Henderson. She doesn't get to do a whole lot before she's shot in the credit sequence. I was really hoping for a little more.

I want to say that there's some Wesson cooking oil on the counter where she's at. Yeah, there's a big jug of oil. This is like the coffee commercial, Chris. She was spokesperson for Weston Oil. Yeah, I saw those ads constantly.

Oil need I don't understand why you would need a spokesperson for oil tangent here, What the fuck do you need to be convinced to buy oil for? Well, if you cook food brand, you know, it's like um syrup. You know everybody right syrup. Everybody's gonna use syrup, but you have to use ant Semima. All oils created equally.

And it's called old Mill now, sir, oh, oh my head. I think it's Antimima's old Mill. And Uncle Ben, what the fuck is Uncle Ben? Now? I saw it at the store.

It's like Ben's choice or Ben. Yeah, have you've seen it? Bagley, It's like it's it's I know it got changed, but I don't know, but it's choice or something. Yeah, So why does Wesson need Why do you need an advertisement for oil? I just I'm just asking.

I'm just asking questions. Nibisco needs to make that money. Man. Until then, they just cook things with water. Yeah, yeah, I'm gonna boil my food and oil.

That's what we called deep frying fried. Oh can you imagine that? Just cooking fried chicken and water, reading and battering fried chicken and putting it in boiling water. What a fucking quick kind of kind of crime against humanity? Is that?

Jesus Christ? When I saw the thing with Laurence Henderson, she shows up in the third movie towards the end, So, right, is she cooking with Weston oil in the movie? No, she's I want to say she's like that wouldn't be too dated by then. Yeah, she's at the end of the third movie. Third movie has to do with like blowing up the Academy Awards, So there's a bunch of cameos at right, the Academy at the end, and I think she's one of them.

It's yeah, well, she's of that celebrity type, like weird Al Yankovic, even to the point where he used her in the Amish Paradise video. Right, she just has that cachet as like Missus Brady, and she's supposed to be so squeaky clean. So when she shows up in other things like that, it's like just kind of funny that she's such a almost like a zealist celebrity, but she's not. You know, she's pretty darn talented and she really knows how to play with that image, and you know it shows up in funny things and is able to take the joke. I mean, it's essentially the Barbara Billingsley joke from Airplane, isn't it.

Yeah? Oh yeah, well I speak job. It's like it's double funny because it's a white woman saying it, but also it's the Beaver's mom Yeah, it's the Beaves. Mom. I like how they were trying to get all of the other Leave It to Beaver actors to be in their projects.

I think they said they got stood up by Eddie Haskell as you do Yeah, Tony Doao is in Kentucky Fried movie. I believe. Oh really, I think so. And I think he's playing his the Beaver. Well he was the brother.

What was the brother's name, Oh, Wally, Wally. Yeah, I think he's playing Wally in that. Okay, it's been a while since I watched it. I gotta look it up. Yeah, it's been a while.

The last time I watched it. I just watched it for a Fistful of Chopsticks. Kol Schoolgirls in Trouble. Oh, I watch it for Catholic school girls in trouble. I watch it also for Big Jim Slade.

Oh yeah, that's good. It's a fucking funny movie. Yeah. What did you guys think of the freeze frame at the end? This one was which again, watch a coffee Coffee which sort of repeats it's a little bit of in the next one, Yeah, a little bit.

This is the pouring of the coffee though this time correct. Yeah, which is the funnier of the two, I think. And yes, it is Tony Dow as Wally in the courtroom segment. Also Forrest Jay Ackerman was a jurist in that segment. I did not know that.

There's a lot of people in that. I'm always surprised when I look at the list. There's actual actors in that. Bill Bixby and a whole bunch of people. And I'm sorry it was a fistful of yen.

For some reason, I always think it's fistful of chopsticks. I don't know. That might be a better title of chopsticks. How many can you hold? Well, I mean yen versus dollars, I suppose, but yeah, right, yeah, I guess I didn't seek him so good in that.

And then yeah, it's Jack Baker as the guy who's listening to the sex record with Big Jim Slade. Jack Baker who was Sticks in Happy Days and also went into pornography and was amazing in new wave hookers. Well, there you go, six degrees of separation. Yes, yes, I will mention a fistful of Gioza would be a pretty good title for a movie. But it's just about a guy who walks around handing people.

Gioza on the street from his face wild. I don't know. I like Kioza. I mean I like Yosa too. Gils is pretty good.

One of my other favorite gags is during the fight at the end, when it's like, look out, he's got a knife, look Out, he's got a club. Look Out, he's got a sign Picasso, and when he looks totally normal, and then there's that weird cut where he suddenly has all the makeup on to make him look like he's been in his fight, and then they cut again and it's all gone. I love it when the stuff disappears from scene to scene. That's one of their rules, you know, like don't don't drag it on too long. It doesn't it doesn't matter if it doesn't show up in the next scene.

Screw continuity exactly. Well, you mentioned Norberg's introduction in this, and it goes to that out of order thing because he is sort of properly introduced here as one of the undercover detectives, and that's why he's in on this now. So when you watch the next episode and he's already there, and then I'm curious to watch the one that was actually produced fifth, right, it's not so jarring, like they don't stop and say, hey, here's new Norberg, new to the crew or whatever. It's just like, oh, he's here. He would have been there either way, in whatever order you watched them in and so, but I had just strucking a that, like, oh, yes, they actually do kind of introduce him in this and either way this was you know, he hadn't been in the first two episodes.

And that's why I think last time I mentioned that, you know, it seems like he's sort of the cousin or the orphaned child that comes in to add some spice to the show. Even though there were only three episodes in. We need somebody other than two straight men to flesh this out. Speaking to the Brady Bunch, who was a little cousin, Yeah, Oliver, he's the cousin Oliver Police Club. I didn't realize what a career Peter Lupus had had before this, and he kind of fits into this whole never playing comedy before type of thing, like I mean, yeah, he was in the Red Skelton Show, these kind of things.

He was in Challenge of the Gladiator, he played Spartacus, he was in Goliath at The Conquest of Damascus, also playing Goliath, he played Hercules. You know, this guy was built like a brickshit house when he was younger, and then he moves into like Mission Impossible and it's just like okay. So he's playing some very serious roles for a long time and then he comes to this and it's I mean, he is a natural, like you said, like his joy about being a locksmith and you know, selling these locks and telling people about their specials that they have. He is so into it and he hits every single note. The only bad thing that happens in this is the way that he flinches when those gunshots go off.

And I know that he's supposed to be standing totally still, but you could definitely see him flinch and they're like, fuck it, we can't reset all those whibs no take two. Yeah, it's pretty noticeable. I was like, oh my gosh, he totally flinched. Yeah, well, he definitely has the face in the chin for all those roles you mentioned. Oh yeah, that who was the guy that did Hercules like in the Fi Thieves.

Yeah, yeah, I only know that because of the song Take an old Steve Man. I swallowed that drink real fast to get back from that one. I'm gonna put an image in the chat here, are we seeing the cracks in the show yet? Oh? Not for me.

I'm very forgiving of the show though, So you guys might be seeing cracks, but I'm I'm all about this right now. I liked it more when I watched it this morning than I remember liking it when I went through the whole series previously, so I was having a good time with especially all the gags in the Locksmith's Shop in particular. I think I enjoyed this much more than the second episode. So maybe not as much as the first, definitely more than the second. There is still literalism, but not as much and not as much of the goofy name play.

I was going to agree. You know, it's funny. You know, we talked about Norberg and the way he's introduced, and like it feels a lot like when Jess and I did the Prisoner on the one season show, where it was filmed out of order and so the characters just kind of introduced and with no fanfare because the character had already been introduced, and it's like, wait, hold on, that does kind of stick out but I agree with you Mark and with you Mike, like this show is still very good, but this episode is better than the second one. Second episode has been the weakest one so far of the three, and even of the next one that we watch. I think the one joke that I really liked and it sort of gets repeated, I think in the next episode or something very similar.

When the flousy comes in the setup that Dutch sins and she's ordering the fifty copies of her key, send forty nine to the Chicago Bears, why don't you bring the other one over if you're paying attention, She doesn't say where she lives. So his next line is, it took me two weeks to find Stella's apartment because she didn't tell me your address. And I was like, that's great, because that is something in a show that they do crap like that where they leave out information and you're just supposed to assume the person got it somehow, and they make a point of it, and I really loved that. And also when he gets there and she shoots and there's the target on the door, which is a gag, but then when they cut back to it, it's, you know, in a position where it's been shot.

There's the follow up gag to the first gag, So I liked that whole scenario with her. It's still really tight. All of these jokes are there for a reason, and for me, they just play out well. Yeah, I agree, I'm still having fun. Yeah, And I think a lot of the stuff in the key shop is a lot of the best gags in this episode.

A lot of what I mean, most of the episode takes place in the keyshop. So there is that watching Leslie Nielsen when it's like the door is locked and he just slams himself backwards into the glass and opens up the keyshop. That's all the good jokes in this episode, for the most part, revolve around something happening in the key shop or the ox smith. You know, I'll gonna have to cough up the money. That for me is where this episode really shines is anytime there you know it's Frank or Frank and Norberg in the keyshop and locksmith shop.

I like it when he's he's taking care of them the goons the first time and he blows on his knuckles. Yes, and the whole neighborhood is applodding and cheering him on. Why don't just stay in the street till Tuesday, That's when they pick up the garbage. All right, well, I would ask what we're all up to? But Chris, why don't you just tell us what we're all up to these days?

Yeah, Chris talk for all of us, Talking Monkey. You can find all three of us over at Weirdingwaymedia dot com, where all three of our main shows are Mike Show being the Projection Booth, Mark Show being Wake Up Heavy, and My Show being the Culture Cast. You can find those three shows, along with this show and a whole lot others over at weirdingwaymedia dot com. We will be back next time with a look at Revenge and Remorse. The fourth episode shot and the fourth episode aired, so figure that one out.

Until then, go ahead and leave us a rating and review wherever you get your podcasts, hopefully over on iTunes. Let people know that people are actually talking about Police Squad and that we're doing a really good job. Be sure to tune in next week for another exciting story from the files of Police Squad.