Episode 40: The Trunk / Appointment on Route 17

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Hello there, I'm Chris Dash, I'm Mike White, and this is Father Alone and we are the host of Dreams for Sale, a once a month look at our favorite iteration of the twilight Zone, the twilight Zone nineteen eighty five. If you could see my co host, they're smiling right now, because that is bold faced lie. Now you know what. This actually still remains my favorite iteration of the Twilight Zone. It's just that I can't handle the back end wait even eat, I mean even more so than the original.

No, not the original, well, I don't know, I mean if you were to say, m yeah, the thing is the first iteration of the show. It ran so long and it had so many episodes that they were bound to have better ones than we had. Here and they had Rod Startling running the fucking thing stable of writers. The first show, I think is empirically a better show. But you could make a case for the first season of this show being really like as good.

Yeah, I mean, I mean empirically the first show has to be the best one for a lot of reasons. It's the original, It sets the tone, it makes these other shows what they are. But like, I could see why you would say this would be your favorite iteration of the show, because it's still pretty good. At least the first season is right the first season, and you know, it's more personal to me, Like I didn't grow up in the late fifties early sixties watching it, because it would have I'm sure i'd be like, nothing is better than this if I had, if I had, but it certainly hit me where it was hitting the viewers. Then with that first season with stories that were completely relatable and utterly terrifying in some cases.

Well you, Mike, is this is this your favorite iteration of the show or is it the original? I think if I were just to go by the numbers, I can probably think of more favorite episodes from first iteration than even the second iteration. I mean, there were some really good segments of this. It feels like we're wrapping up the entire podcast, but I mean we've gotten to the point now we're like, we have no love for this show. So I'm curious, like where does this like where is this show going to rank?

Because I think even Father Malone's kind of said it like he couldn't have anticipated this right now, Yeah, and I think, I mean, yeah, I think Father Malone, you and I are just about the same age, So yeah, I was right there with you on whatever Friday Night or whenever they would play this, and it's just like, wow, some of them just blew your mind. I mean the Shadow Man and just yeah, to see the blind Man or whatever that episode was. There were some really good ones and it really got you. But then even going back and seeing some of the originals, like to Serf Man, it's like, Okay, I think I think I'm still all about the original incarnation. Yeah, I will can see that.

The Howling Man by Chuck Beaumont in the original run of the show is one of the best pieces of television ever committed to films, So that alone is probably better than everything in the first season of this show. But yeah, yeah, I mean I can appreciate that that is a better version of the show, but this is my favorite version of the show. Now about you, Chris, you've seen actually four different incarnations, because I think you've watched more of the two thousand and two show than either Father Malone or I combined. That would actually have to be my answer, as kind of like a like, like you said, Father Malone, like the one that I saw the most of growing up was the upn for his Whittaker. I remember seeing that show, the episode where they're like it's like the Sims.

I remember that episode vividly, the racism episode, which I still think is actually a pretty good episode all things considered. I mean, we haven't really had a racism episode in this show, think because I don't know how well it. I mean, I guess we kind of have. But the one yeah hitherin'on not so bold face, it couldn't like look at him right whatever? Right well, and then the Chinese guy who is super angry about how he's been treated unfairly, which I understand, but like the two thousand and two shows, racism episode I think still works and like it's not it's heavy handed, but like it's this way.

It's less heavy handed than any of the Jordan Peel stuff is. And I think, is it John Travolta suddenly awake in a world where whites of the man. It's not that movie that I just recently found out was a real thing. Yeah? Oh yeah, yeah.

It sounds like Charmer of a film. Crowd makes you think, doesn't it? Oh? God? So, speaking of thinking, let's put our thinking caps on and talk about the forty nine and fiftieth episode.

If there's the fiftieth episode of the third season of The Twilight Zone, those episodes with the Trunk and Appointment on Root seventeen. It's been said that all good things come to those who wait. This is Willie Gardner, a man whose lifetime of waiting is about to end. So The Trunk aired December twenty fourth, nineteen eighty eight. It is directed by Steve DeMarco, written by Paul Chitlick and Jeremy Bertrand Finch and who does its star While it stars Father Malone's favorite, everybody's favorite, mister Bud Court.

Can't go wrong with Budd Cord straight man unless you're watching this episode. Boy. Yeah, So he plays like a Nebbish man who works at the hotel and he finds a trunk that gives him everything that he wants, and he finds out that he'd be careful, be careful what you wish for. I guess I don't know. Maybe he doesn't end like I don't know if i'd want to go into the magical trunk and then come out of the magical trunk, but probably not be careful what you wish for.

But in are I guess not? Because this is a this has a positive ending. So let me just let me tilt back here, so the poster behind meld mod because that movie is one of, if not my all time favorite, and Bud Court can do no wrong in my eyes. And he acquits himself here as most of the guest stars who end up in shitty episodes tend to do, like they don't stop being good performers. Um, but this episode was just like what and if you were, if any of us were given anything for a wish, would the first thing you do be throw a party for all the drunken reprobates and bullies you've had to deal with your entire existence.

It's like like he finally gets an opera. I mean, should we not like this character? Like is that what they're trying to say? Because I like, give me a way to kill these people so I can get away from them, exactly like I want a deed to a house very far from here where I never have to work again or deal with runks and bullies. Like what?

Logic doesn't work in this show anymore? It makes no sense. This episode actually makes zero fucking my question. Okay, So he says, like, you know, if I had a nickel for every time, and then suddenly it's filled with nickels. These are the nickels that you would have gotten if that wish had ever come true, And then he just keeps taking stuff out of it.

Does he at some point just pull out a big wad of cash and then go buy those furnisure items or are we supposed to believe that the furniture items came out of the trunk? Am I overthinking the episode? Yes? Oh well, you're definitely giving this a lot more thought than the writers did, because it it doesn't work. I mean, the whole twist quote unquote at the end is just ridiculous.

I don't get it, and I don't get how the lady gets the trunk At the end, it's like, where did this come from? How did this get here? There's a perverted my house get him like he's just like, oh this is him, sexy man coming out of this fucking trunk, Like I wish I had a man to marry. Yeah, and here's Bud Court with the eyeliner, that horrible hairdo that he has. Thank god it slicked back at that point.

Yes, he's a god. Then oh gosh, yeah, yeah, I'm expecting to draw a knife from out behind his back. He looks. Oh god, three that would have been good, all five foot two of them. Yeah, oh yeah, I was.

I was screaming at the television just that the people, the gang of youths quote unquote that youth thirty five year old youths that are hanging out at this derelict hotel and just picking on this guy completely, and yet he just falls for their tricks again and again again. I'm like, what was this like mid eighties trope? It plucked up a lot where they would have like a group of BULLI send a girl over to entice the guy, and then it's all a joke. You lose see them laughing in the background. The character can like he is laughing, and it's like, you know, they're making fun of you, and you're like, you think the girl's serious, Like Howard?

You know, this doesn't really convey confidence that the main character is not a complete fucking moron. Yeah, which is Oh what Willie Gardner, the asshole that Bud Core plays, is a complete fucking moron. Yeah, he is. Like I say this with absolute certainty. He is one of these stupidest characters I've ever seen in this show.

It what he does is invite people that he knows are known assholes to his house effectively, and then they try to kill him because they're known assholes. Right yeah, okay, okay, and then he at the end, what is the lesson here? I don't know. I thought it was gonna be like that story from Scary Stories to Tell in the Dark where it's like the woman on her wedding day who was playing hide and seek. Have you guys ever heard this urban legend?

Now, it's like a woman on her wedding day and they one of the things that they do after they get married is they play hide and seek and the woman goes into the attic and she gets in a trunk, and she gets a trunk and the trunk slams on her head, knocks her out, trunk locks whatever. She fucking dies in the trunk in the attic of the house. Twenty thirty years later, people are looking for stuff in the attic, find the trunk, open it, and there's fucking the woman dead as the day she was bored. I thought that's where they were going with this, like and it's some stupid shit. Instead it's like really stupid.

That reminds me of when my dad used to dress up as Santa Claus and one year he didn't come home for Christmas, which I laughed uproariously about when I was watching Gremlins in the theater and I had people shushing me and one woman saying that I was sick for laughing at that. So when they did the Lincoln's Birthday thing and the sequel, I felt very vindicated. Yeah. First, when it's it's the Santa got stuck in the chimney thing, right right, what's the stars? Yeah, no, no, you go ahead, father alow.

Oh yeah. In the second one, at at like a certain point where things are going crazy around them, Phoebek starts to say, oh, this reminds me of a time on Lincoln's birthday, like, which is just a call back to the to the Santa thing, and then they're like, we don't have time for this, right, And there was a man with a with a beard and a soap top hat. Yeah yeah, I mean that's where I thought they were going with this, because I was like, Oh, he's gonna get locked in the in the crate and that's it, like he's dead now. But nope, cut to the stupidest ending in this history of this show. At least, coda to that.

So far, so far, so far. Yeah, it reminded me a little bit of another Wish episode that we watched, i think last season, where was the woman that we keep seeing showing up in burniey Miller where she can wish things, but then it has all the consequences of the wish, Like I remember it was like I wish that my neighbor could find love or something, but then that effect you remember, right, yeah, yeah, So there's like all of the consequences that happened, and there's no consequences to Willie's wishes, So I'm like, Okay, well, that's always you know, I'm waiting for the monkey's paw kind of thing or the genie who is going to fuck him over, like if I had a nickel for every single time, And then I don't know, the nickels are counterfeit and he gets arrested or something or whatever comes out of this, but there's no consequence, and it's just the limits of his dumbass imagination for the stuff that can come out of the trunk.

And then yeah, I don't know why you hide in the trunk. It's just like this is a magic thing. Leave it alone. He didn't wish for a new security system for his building, yeah, or a gun or anything. Hey hey, Mike, do you want to guess when that episode that you're talking about was first season?

Yeah? Okay, wow, that was a while ago. Yeah. And the woman are you talking about, Utahagan? No, wasn't that she might have been, but this was I think there's just Candy Azara.

Okay, Yeah, that was the first season. That's how wow that was? That was we forgotten since then? Remember how good the first season was. Yeah, so that the rest of these episodes should be.

We'll just talk about our favorite episode episode is still kind of okay. Yeah, yeah, it's a lot better than this one. I don't know what this episode was going for, but for once, instead of just being kind of okay and inoffensive, it is so stupid it becomes offensive. It's offensively dumb in the way that it's written because it is written without internal logic, and by without internal logic and the care do things that literally goes it. Once again, I do this every show when they start to fail.

I have to wonder who was who was steering the ship at this point, like it was there was there no process. It was just like here, go write this, and then they show up and go, okay, now we're just gonna film it, like like the very simplest, like what are you trying to say here? Would solve so many problems with this season. Just uh, what is your point with this? I wonder, because by the end of this show, we're just like I'm just glad to be working.

Yeah, gotta be it, because that's the only explanation behind this show being this dumb at this point, like having yeah, I theorized that I theorized one another episode it was probably just like these are like the rejac pile right, Like, you know, they were like, this isn't even worth rewriting. Just just leave it in that trunk. People will just eat that up. And now they're like, oh, okay, we'll just just take this. This is done.

Yeah. Yeah. It feels very much like satisfying contractual obligations to get a third season of this show out, Like okay, whatever kind of just nonsense can dribble out of Jay, Michael Straczinsky and everybody else's pens. Like that's what it feels like. It feels like you said, Bather Malone just rejects yeah, and what's a shame?

Is Like I remember, I don't remember when Twilight Zone Magazine was out, but there were still stories from Twilight z Own Magazine that I can remember to this day. It feels like they should have at least used that as like a seed bed for stories and then like yeah, great, you know, let's let's do this thing that you know. It just feels like, yeah, where where are these stories coming from? How is this approval process happening? Because I agree with you there there were a lot of really good stories in Twilight z Own Magazine.

I think at this point they were just like what is the cheapest way to fulfill our obligation to get this thing syndicated, Like we're not going to pay out to an author from Twilight Zone magazine to get it to adapt it at this point, you know. Yeah, well, I mean, and the other thing is when you look at these episodes, they're all at least these four for the most part, also look really cheap. So oh my god, yes, it feels like on top of everything else, they're like, the scripts are just kind of ah and then oh, they look like they're all shot on a set, like it doesn't even look like film. Sometimes there are times where this looks so cheap. I'm like, is this three quarter inch video that you're shooting on here?

Soap opera? Yeah? Even you know, they did that on the original to run of The Twilight Zone there for like a season, like where they were they're saving money that way, but they man, the episodes still continue to be quality. Yeah yeah, yeah, once they got to those hour long episodes, I remember those being kind of weak. And that was always my problem with and I'm sorry I'm going off in a tangent, but that was always my problem with the Outer Limits.

I was like, these stories would be a lot better if they were about half as long. You know, you've got a half an hour worth of story. You don't have an hour worth of a story. And with these things that were watching here, twenty two minutes sometimes feels like way too much. I'm like, you guys have eight minutes worth of a story here, get to it.

Yeah, could they realistically pad this story out to an hour? Like, oh my god, can you imagine that nightmare? Not awful fucking horrifying idea? Like who, when the hell would someone would watch it? Yeah?

There were there were some episode season one and season two where I thought like the twenty two minutes was a hindrance, like they should have given this one the full hour. That is not the case with any season three episode. Way too long. These wouldn't even most of these stories wouldn't even be acceptable, as like the little interstitial stories in between the other seasons, right, I mean, if you boil this one down, it's you know, guy finds a trunk that grants him wishes dot dot dot, gets picked on at a party, hides in the trunk, gets wished into re existence by a lovelorn woman. Okay, that the whole story.

I mean, I said eight minutes before. I think that even might be stretching it. Yeah. I genuinely cannot believe that this is a twenty two minute episode because nothing happens. I'm just pleased I don't ever have to watch it again.

Yeah. Yeah, trying to look at the positives here, yeahives here, massive positives are we don't have to watch this. But on that note, let's talk about the fiftieth episode of the show and the fifteenth episode of the third season, Appointment on Route seventeen. One Man, one Heart, an obsolete fact of life witness Tom Bennett, a man who accepts his new organ is just one more item that money can buy. So this episode is directed by Renee Bonnier.

It is written by Haskell Barkin, and its stars Paul matt as a man who gets a heart transplant. A heart transplant in the Twilight Zone. That's how you write a fucking intro for this stupid ass episode, guys, not one man, one heart, one solution Like no this season. This season is not only like the Gentle season, where they were no longer interested in any rough edges on their fantastical musings, but it also seems to be the season where a bunch of baby boomer you know, bottom tear screenwriter slash television writers got to vent about how they're like lost idealism, that this felt a lot like that with Paula Matt's character. You know.

Oh yeah, a man, remember when we were young and cool. We can do that again. I just need someone's heart to do it. Episode. What was the name of that episode, the one with the episode that you're talking about, the one with them I'm oh, yeah, yeah, yeah, the one where they're fucking each other as younger versions of them.

Yeah, yeah, Dennis or Cliffs the singer. Okay, wait, no Cliff, No, no, the clifty young was the vet. Yeah, that's right. I can't remember who that was the Okay, no, they all blend together in their they do they do? Oh man, I mean we again.

I've seen this story done so many times, so many times better. I mean, why isn't it he got the eyes of a serial killer or something? Why isn't it you know, the John mulaney joke about the eyes of Jerry Orbach. You know, that's a better plot than what we're watching here. I mean, I feel strongly drawn to this diner.

Yeah, this girl, she's why could this be? And he is such a reap. It's like, I mean, the guy's heart would be pumping straight to his dick. I just got to point this out, like, oh my god, it's ravage. That was the the other eighties thing.

That's sort of that mane of hair look for my successful yuppies, Like look terrible, that's what I'm going The worst I've ever seen wind blown back hair, like I'm a lion, damn it. You know what, I can rock a suit, but I can also rock an open denim shirt. Yeah, that's great work on the weekdays. Yeah, it's very much the Gordon Gecko like you can wear it plastered down with gel or moose, I should say, and it'll be fine for work, but then you can just let it fly free and you're convertible on the weekend to be the hipster guy. Look what I mean.

Yeah, if you're seeing and I'm going for it, man, you got over the twenty first century, Gordon will be a man with blonde hair that's dyed blood. Oh yeah. But I also I'm not a sociopath like Gordon Gecko or Paul the Matt's character. I guess he was an asshole. At one point.

He definitely is at the start of this episode. So I guess it takes a while for the heart to change you. Yes, sure? The fuck? I mean, why wasn't it immediate?

Like using the logic of this episode, the moment it's put into his body, he should start feeling things for this woman. Also, I would like to point out it is a creepy episode, like just very creepy. It is. He is a total creep Oh no, I think we should start seeing each other. What do you think?

Oh God, I don't like what a perverse I like, no one would write that story in twenty twenty one, Like nobody, you know what you could if you were to focus on that and like try and deal with the levels of creepiness. But this is this thinks it's being sweet. I mean, what was that movie? Was it? Heart Condition with Denzel and Bob Hoskins?

Yeah, yeah, oh yeah, the movie that totally doesn't feel like it should exist, but yet somehow does. Yeah. I mean I kind of like that movie better than this episode. Someone threw into a bag and start pulling them out with ideas. Bob Hoskins, Denzel Washington, guy who gets a black man's heart a racist cup, racist co Yeah, and he learns a lesson.

Yeah. There was a great movie called Change of Mind where it was Raymond's saint Jack who he gets the mind of a white guy put into him. And this was oh god, early seventies or late sixties, and that dealt with race really well because it was an actual brain transplant into a black guy. And then like, okay, here's how this white guy's experience in this black guy's life. Really good.

I did much better than this. There are using two headed transplant is but oh god, it's like yeah, Rama Land and Rosie Greer. Yeah, Simpsons, you have two of everything. Yeah, where Homer gets what is it snake's hair? Oh god, and he becomes you know, he wants to kill Bart because I think Bart is the one who turned him in, right, So it's like slideshow bob Ish like I would.

I mean, it's essentially the same idea. Like this is such an un novel concept. It's like hell to pay the Amazing Stories episode. Yeah, it's the the hair from the person that died from the French Revolution maybe. Yeah, so that's where the Simpsons ripped him.

Yeah. Yeah, that's a great episode. It's it's so like you said, Father Moon, it's so just kind of just not there. Yeah yeah, like like nothing, We're gonna tell the sweet romance and the only Way, but it's the Twilight Zones. We're gonna put this twist on.

And by the way, they are, like there are actual stories of people who went through something like this where like somebody you know, had a transplant and then like finds themselves attracted to that person, like they find each other or like, you know, it's all sort of happenstance. So like even those stories are more interesting than this because there's really no supernatural thing going on here at all, Like shouldn't And I'm so tired of the yuppies well yeah yeah on this show, Like yeah, well I don't. I don't feel anything for them, and I don't want to understand them. They're fucking dickheads, isn't I mean eighty nine like peaked dickhead yuppy? Yeah yeah yeah, Bright Lights, Big City, Baby, less than zero, you know, yeah, you know what they should do when they reboot the Twilight Zone.

Inevitably the next time, they should do this. But it's a man's face, it's a face transplant. Oh, like taking his face off. Yeah, I'm putting it a cast truth style. Oh okay, yeah, and it's like I was like, like, I can't even look it, but I'm in love with you.

I have your ex husband's face. I literally can't look at you right now. This is creeping me out, Like, yeah, this is is this a fucking weird premise that doesn't make sense and doesn't really but it feels quite doesn't it. It's nice and quite uber body parts? Yeah?

Oh yeah horror movie yeah, Eric Grid because yeah, I was gonna say, I couldn't remember who was involved in that one. Yep. I think it was Michael Perey too, that solid chunk of wood Michael Perey. Yeah, oh yeah, we're talking about his very solid acting style. Yes, it's good, Yes, it's good.

You prop them up and let him go. That's why he's still in everything today. That's right. Wow, look at the tangents we're more interested in than talking about this episode. Yeah, have I said skip to any of these?

Do I need to know? I thought people were in on it when oh my god, and her boyfriend his heart is now an older Uh, Paula met deserved better. I don't know. I don't know why he didn't become a bigger thing. I mean, was it just bad roles?

Was he an asshole? Or is an asshole in real life? I mean, you never know on Facebook. I follow him on Facebook. It seems nice there.

Remember when there was an age when we didn't know all the minutia of everyone's lines and oh god, yeah, you just had to kind of speculate, like why didn't Why wasn't paulam had a bigger star? He should have been. We like him exactly right. Didn't Rose McGowan get all these roles for yeah the Night in late nineties? Why was that?

Seems kind of strange, It's weird. Whenever happened to Annabella Skura? Yeah, why is it? And Mira Sorvino not really working anymore? Yeah, she won an oscar?

Yeah that's unusual. Yeah, boy, the you know to your point though, foll the Malone, You're right, the internet is for as good as it is, it is also just as bad. Yeah. Yeah, it's allow, spug, pretentious and miserable talking about Highlight Zone and convincing people that we hate this show and like that's the saddest part about this. Yeah, Like I know, that we have people that listen to this show, and we have people that have written reviews about this show that go like, you, guys, don't fucking like this show, why are you talking about it?

And that's not fair because the fact that we whether whether we like it or not, is unimportant. It's that we're able to be critical regardless of those facts. And Father Malone loves this show, at least the first season. We love the Chronic, we love Tales from the Crypt, and we were able to be fucking objective about that show as well. Objectivity needs to be removed from our opinions.

And it's unfortunate that these episodes suck. But what are we supposed to do? Say how good they are and then people go watch them and feel like they wasted their time. That's not fair either. Yeah.

No, I wouldn't wish these on anyone out of a trunk. We didn't start this show because we hate We started it because we liked it so much. I remember how good that show was. Yeah, great, let's talk about it. Yeah, we were talking before the show.

I had mentioned the other show that I had pitched for the three of us to do, and that got shot down because the perception was it was not a good show. Using that logic, we should not have talked about this show if it was, if we had known it was going to be bad. Yeah. Yeah, it's just it's unfortunate because you would have hoped that this show wouldn't really fall apart this fast. I would propose another podcast, a companion piece, if you will, to the one season show, where we just talk about the one season of a show that was good right before it jumped off a cliff.

Yeah. Yeah, I don't know about you, guys, but I love when someone tells me to watch a show, but just watch past the first season. It gets better then, like right. I had a friend tell me you should be watching Agents of Shield and I said, I tried, and it's just not for me. And he was like, but the beginning of the third season, once you get there, And I'm like me to watch two full seasons of a garbage thing so it can potentially get better at some point.

No, I think I'm up to season seven on that thing, and no, it's not good. It's never been good. I came back for ghost Rider just because I love ghost Rider, but then I just watched the episodes that ghost Rider was in I fast forward and until it arrived and then you know, yeah, and those weren't that good either. No, they were garbage. Yeah.

I mean that's why I didn't watch mad Men, because everyone's like, oh, the first two seasons aren't very good. But once you get past those, it was like sixt eight hours of TV. Guys like, right, literally have anything. I love that show. I'm just gonna say that.

Yeah, but you are the first two seasons that show good? Yeah, I think so, Well, maybe I'll watch it, but you know, at this point there's other things. I almost prefer the first two seasons over the rest of the show. Well, maybe the people that I was listening to opinions were wrong, that's a possible. Yes, they certainly were, at least over here.

But you know whose opinions not wrong? Ours on this show because it was not good anymore. And with that in my mind, on the next episode of this show, we're continuing our trod towards the end of this particular season twilight Zone with the sixteenth and seventeenth episodes of the third season, the Cold Equations and Stranger Impossum Meadows So Cool, So come back for those until then, follow them alone. Where can people find your smug, pretentious and miserable opinion? Yeah you can.

You can always find it at father Malone dot com. Check out links there to my podcast Dark Destinations, which is a half hour radio drama that I write and produce, and links to I don't know YouTube and all the podcasts, including the one that Chris and I did about Tales from the Crypt, Chronicles from the Crypt, What about your only fans um? You know they took it down. Oh too sexy, too much, Duddy, just too too much for them to handle. Mike, what about you?

Where? Where can people find you on the internet? You can always find me at the Projection Booth, which is available at Projection boothpodcast dot com. And you can't also fine. Chris and I talked about Barney Miller, which so far hasn't fallen off a cliff and I'm hoping it doesn't because we've got one, two, three, four or five five more seasons to go.

Yeah, seasons, but so far it's fantastic. We just hit a high point talking about the hash episode, one of the funniest things I've seen, so thank goodness for that. And yeah, we also talk about ranking and bass over on the ranking on Bass podcast, which your mileage may vary on that, but at least we have a fun time talking about it. So you get to hear Mike sing specifically on the Lord of the Rings episode. If you want to hear it, go listen.

Very popular episode just because of the singing. Yeah, it's Mike being able to hit those high notes that I'll tune in as Glenn Yarborrow eat your heart out. It's actually better. Mike's position is closer to what Frodo I would have assumed would want song about it. As for me, you can find me kicking my proverbial can down the road at c stahiw dot com.

That's my name, my last name with the first letter of my first name attached to it. That's where you can go and find all the links to the stuff I work on. My Only Fans is not on there yet. I had to take it down because they said, like Father Malone, it was just too damn hot out there for they reverse the decision. We can do it.

We can be back on only Fans O guys, right, Sorry, we can't. Yeah, no, I tried that. They still said two sex sexy wow, green haired men just they just do it for people so hard on the Internet. It's like redheaded women, green haired men. Well, true me and uh, what's his name?

Oh, Dean Stockwell you're gonna go for Mark Ruffalo, yeah, or ed Org Norton or Neu free guy guy for ed Eric Bana. Yeah. Yeah, I sag Eric Bana is still my whole But seriously, um no, there's no only fans, but that's where you can find the stuff that I work on with these guys. As for this show, twilight Zone eighty five dot com, twilight Zone eighty five on Twitter as well, and Dreams Forsale dot com. Maybe no, I think it's just twilight Zone eighty five dot com and twilight Zone eighty five dot com.

Big thanks as always to roxy Drive and Neutron Dreams for the music for the show, and we'll catch you on the next episode.